Would you wanna see Brad Pitt as Cable? Well there’s a rumor going around he might be up for it. We’ve also got word that the Hardys have officially been offered contracts by WWE, and a certain hairy mutant might be returning to Marvel this summer! Check out the links below for the full stories!.
Deadpool 2: New Rumor Suggests Brad Pitt Could Play Cable
Matt and Jeff Hardy Officially Offered New WWE Contracts
Marvel Teases Possible Wolverine Return?
Keep it locked into Asylum Kollectibles .com for all the breaking news as it happens and have a great day!
SOURCE : Comicbook.com
Bernie Wrightson, legendary horror comics artist, past away last night after a long battle with brain cancer. He was 68.
Wrightson is known as the co-creator oder DC....
He began his career as an artist at The Baltimore Sun newspaper and was inspired by a meeting with Frank Frazetta to begin creating his own stories.
Wrightson made his professional comics debut with the story "The Man Who Murdered Himself" in DC Comics' House of Mystery #179. He continued working on DC Comics' and Marvel Comics horror anthology titles for several years.
In 1971, Wrightson and writer Len Wein created Swamp Thing in House of Secrets #92, and in 1972 he and Marv Wolfman created Destiny in Weird Mystery Tales #1, a character that would feature prominently in Neil Gaiman's Sandman series.
In 1972, Wrightson returned to Swamp Thing for the character's ongoing series. Wrightson drew the first 10 issues of the series, co-creating Abigail Arcane and much of the Swamp Thing mythology.
In 1974, Wrightson left mainstream comics to work at Warren Studios, where he adapted the stories of H.P. Lovecraft and Edgar Allen Poe. In 1975, he formed The Studio with Barry Windsor-Smith and Michael Kaluta, and Jeff Jones to pursue work outside of comics.
Later in his career, Wrightson produced work for Heavy Metal magazine, including the Freakshow serialized graphic novel with writer Bruce Jones. He adapted Stephen King's Creepshow horror movie into a graphic novel, the first of several collaborations with King. He also helped design the Reavers for Serenity, and in 2012 he published Frankenstein Alive, Alive! with Steve Niles at IDW Publishing.
The comics community has been mourning Wrightson's passing. Some of their reactions, which often include some of Wrightson's beautiful artwork, have been included int he following pages.
Source : CBR
This July, “Spider-Man: Homecoming” will get a whole new lease on life. Thanks to a deal between Sony and Marvel Studios, Spidey has joined the Marvel Cinematic Universe, and it looks as though he didn’t come alone. Sony has a “Venom” film in the works with a projected release date of October 5, 2018.
Fox’s untitled Marvel series is getting underway, with the cast assembling to do their first table read. On Friday night, producer Laura Shuler Donner tweeted the first photo of the new mutants, which also featured a special guest.
Early morning industry estimates are confirming what we saw late last night: Warner Bros./Legendary monster movie is poised to pull in between $60M-$61M after a $24M Saturday that was +19% from Friday’s $20.2M. And Warner Bros. is reporting Kong: Skull Island at $61M as well. On the high end, that’s a 35% improvement on the pic’s projections four weeks ago, and $11M higher from where we originally thought Kong would land. Imax brought in $7.6M at 382 auditorium repping 12.5% of the weekend. Eight of Kong‘s 10 top-grossing locations included Imax bookings. In total, the global opening for Kong: Skull Island stands at $142.6M which is ahead of the $135M we forecasted.
Regarding Kong‘s rebound, Jeff Goldstein, Warner Bros. domestic distribution president said, “I think the marketing sold the movie perfectly heading into the weekend. This is a great weekend for the industry overall and all of our exhibition partners. The industry is up 24% from a year ago.” In fact for the period of Jan. 1-March 12, the total domestic B.O. is at $2.18 billion according to ComScore which is currently flat with the same frame a year ago. That’s good news as 2017 tickets sales were lagging for a few weekends there.
On social media, you can also feel the warmth for Kong: RelishMix reports that hashtag activity for the Jordan Vogt-Roberts-directed movie has tripled since Thursday at 5.2K unique hashtags combined across Instagram and Twitter to 17.3K on Saturday. #KongSkullIsland hashtags are at 61.4K over four weeks with 21.5K for #Kong and 17.8K for #KingKong. Social gender activity is 60.8% male and 39.1% female while age is slicing 78% over 25 and 21.7% under 25. Since the Mexico premiere, Tom Hiddleston’s Instagram popped heavily with 254K likes on March 6th.
Reviewers already knew Kong: Skull Island was a fun ride different from other Kongs, and for moviegoers to believe it, they simply needed to experience the movie. Kong could capitalize on another recent B.O. trend: Well-reviewed movies like Universal/Blumhouse’s Get Out and 20th Century Fox’s Logan have experienced decent first Sunday holds (both those titles dipped 22% from Saturday). Given that, there might be a chance that Kong bests what’s expected to be a -30% decline.
True, a $60M-plus No. 1 opening in March is noteworthy, and we’ve seen other movies like Divergent 1 & 2 open to $52M-plus during this month, but damn, Kong: Skull Island is bloody expensive at $185M along with an estimated global P&A of $136M putting a cloud over its profitability. And it’s that high cost that deflates the celebration of Kong‘s No. 1 win. Kong will get dinged around the world when Disney’s Beauty and the Beast opens next weekend, but WB is hoping to make good at the B.O. during that six-week play period stateside leading up to Easter when kids are rotating on spring break.
Overseas is at $81.6M in 65 markets, which is alright, though financiers have told us that $120M would have been a better start. WB/Legendary’s Godzilla after ancillaries yielded a profit off a $529M global haul. Does Kong get there? Japan and China open later this month, and despite the latter country’s Tencent Pictures being involved in Kong: Skull Island, the movie isn’t a Chinese co-production, therefore it’s subjected to the typical rental for U.S. pics that’s between 25%-27%. We deconstructed Kong: Skull Island on Friday, and aside from Logan and Get Out stealing the monkey’s money this weekend, the biggest challenge for the latest iteration of this classic Hollywood brand is King Kong himself.
It wasn’t too long ago that Warner Bros. over-indexed on another dusty, expensive Hollywood property during its opening weekend run: the July 4th weekend opener The Legend of Tarzan. It too arrived in theaters with a huge $180M production cost (just $5M shy of Kong: Skull Island‘s). The Village Roadshow co-production was expected to post a low $30M four-day take, but WB pushed it to $46.6M. Critics didn’t love Tarzan as much as Kong: Skull Island, 36% Rotten to 78% Certified fresh on Rotten Tomatoes. Both Kong and Tarzan earned very good CinemaScores (Tarzan an A-, Kong with various demos awarding it A or A-). Tarzan legged out to a 3.2 multiple off its 3-day of $38.5M to $126.6M, and Kong could generate a similar multiple with an end result well north of $150M stateside (Beauty and the Beast will definitely take a bite out of his legs next weekend all around the world). But again, in light of Tarzan‘s budget, it was very hard to get excited about the movie’s overperformance: Film finance sources inform us that Tarzan was definitely below breakeven after all ancillaries despite making $356.7M at the worldwide B.O.
When Peter Jackson’s King Kong opened in December 2005, that beast too was slow out of the gate, minting a $50M FSS and $66M five-day. It’s clear that Kong: Skull Island will be well ahead of that amount on Tuesday, especially with schools and colleges off. Jackson’s King Kong posted a 4.36 multiple off its FSS and finaled domestic at $218M off an A- CinemaScore, but that movie had holiday foot-traffic on its side, which always carries uber-high multiples with it.
In regards to Kong: Skull Island‘s marketing campaign, WB’s campaign aimed to introduce the origin story of how Kong became King with a heavy social media push. Stars Hiddleston, Brie Larson and Samuel L. Jackson, Marc Evan Jackson and other stars reached in excess of 53M followers.
Google Maps had their first custom program with Kong bringing the first fictional location to Google Maps. Kong: Skull Island Local is now officially on Google Maps, where users can leave ratings and browse photographs of the monster-ridden island. There were was an Alamo Drafthouse screening program in 20 theaters nationwide with talent Q&A broadcasted on Facebook Live. WB partnered with Machinima to bring the multiplayer gaming tournament Kong of the Hill whereby eight of Machinima’s top gaming influencers and network talent faced off during the Livestream hosted on Machinima’s Facebook and YouTube channels. There was also a #WeLOVEKong advance screening program asking each city to take to social media and profess their excitement to see the film through dedicated city specific hashtags, IE: #LALovesKONG, #PhillyLovesKONG, #LondonLovesKONG, #RioLovesKONG, #ParisLovesKONG etc. This program was tied to footprints Across LA – Large footprints appeared daily from LAX leading up to the Kong Premiere at Hollywood and Highland. Activity was covered and shared with #LALOVESKong.
Source : Deadline Hollywood
KONG: SKULL ISLAND
Where is Spider-Man, when you need him to fight against the Trumpster... Ha Ha, Marvel I would love to read a Comic Book starring Spider-Man VS The Trumpster with Mark Hamill voice.. Hell Yeah.
The X-Men Funko POP Vinyls Iceman figure will feature unique number designation #218 in the Marvel number sequence, and will be available only via smaller specialty stores and comic book stores.
Despite saying earlier this week that he is a believer in “not reverse engineering projects to meet a window or a date,” Ben Affleck reiterated to Variety that plans are still on for his solo Batman movie to shoot in the spring of 2017.
James Cameron, who pioneered the rise of the machines alongside star Arnold Schwarzenegger in “The Terminator” and “T2: Judgement Day,” is officially returning to reboot — and conclude — the franchise.
The black costume debuted in DC Comics’ sweeping 1992-93 storyline “The Death and Return of Superman,” elements of which played out in last year’s “Batman v Superman,” where the Man of Steel seemingly met his end in a battle with Doomsday, and will continue this year in “Justice League.”
Syfy’s Happy! Adaptation Casts Female Lead for Pilot
Syfy has just cast actress Lili Mirojnick as the female lead in the pilot “Happy!” (via The Hollywood Reporter) which will co-star actor Chris Meloni. The upcoming series is based on the comic of the same name that was published by Image Comics and written by Grant Morrison with artwork from Darick Robertson.
Meloni will star as Nick Sax, a detective turned hired killer, while the newly announced Mirojnick will play the role of Det. Meredith McCarthy, a character described as “a tough homicide detective in a man’s world.”
The show will follow Meloni’s Nick Sax, a character described as a corrupt ex-cop turned hitman, as he makes his way through a world full of “casual murder, soulless sex and betrayal.”
Mirojnick is perhaps best known for her work in films such as “Cloverfield” and “Friends with Benefits,” however, she has also appeared in television shows such as “Person of Interest” and “Grimm.”
RELATEDyfy Orders Pilot Based On Morrison & Robertson’s Happy!
Director Brian Taylor (“Crank,” “Ghost Rider: Spirit of Vengeance”) will direct the pilot which was written by Morrison, and both men will pull double duty as they will also executive produce the series alongside Neal Moritz, Pavun Shetty, and Toby Jaffe of Original Film. This marks Morrison’s second project in development with the network as he is also at work on a small screen adaption of “Brave New World” for Syfy.
“Happy!” does not currently have a premiere date.
Source : CBR
It has been more than two years since actor Jason Momoa was announced in the role of Aquaman in DC’s Extended Universe, and in that time, we’ve only seen him suit up for “Batman v Superman: Dawn of Justice.” However, that changes this year with the release of “Justice League,” followed in 2018 by his solo film.
RELATED: Momoa Reveals “Aquaman” Stars Filming in Spring, Calls Snyder a Genius
Momoa, who’s perhaps best known for playing Khal Drogo on HBO’s “Game of Thrones,” was attached to the role long before Warner Bros. confirmed his involvement with the 2014 announcement of its DC Films slate. But while he wasn’t confirmed as Aquaman until October 2014, Momoa knew he had the role long before then.
In a recent interview with The Hollywood Reporter to promote his upcoming Netflix drama “Frontier,” Momoa revealed he’d actually known he’d be playing DC’s sea king as far back as 2012 or 2013. “Knowing what your future is going to be in the next five or six years and having to keep your mouth shut is brutal,” he said. Although that’s understandable, that’s become the norm when it comes to superhero roles.
RELATED: Aquaman Emerges From Sea in “Justice League” Set Images
Despite that difficulty, Momoa wouldn’t change it for the world, proclaiming that this “has been the best moment” of his career. While Momoa was known for his work on genre shows like “Game of Thrones” and “Stargate: Atlantis” and films like “Conan the Barbarian” and “Wolves,” it wasn’t easy for him to land the kinds of roles he wanted. By signing on as Aquaman, however, Momoa has opened the doors to other possibilities and has been able to be more selective with his projects.
Along with his future as Aquaman, Momoa also has the upcoming reboot of “The Crow,” as well as “The Bad Batch,” a film by Ana Lily Amirpour, the acclaimed director of “A Girl Walks Home Alone at Night.”
The actor is gearing up to begin production on “Aquaman” in Australia, where he’ll work with director James Wan. Joining him in the upcoming feature are Amber Heard, who will make her debut as Mera in “Justice League,” Willem Dafoe, who’ll reprise his role as Vulko, and Patrick Wilson, who was recently announced as Aquaman’s half-brother, Orm Marius, aka the Ocean Master.
“Aquaman” will hit the big screen on Oct. 5, 2018. But before then, audiences will see Momoa as Aquaman in director Zack Snyder’s “Justice League,” alongside Ben Affleck, Henry Cavill, Gal Gadot, Ezra Miller and Ray Fisher. That film arrives Nov. 17.
Source : CBR
Constantine will be revived as an animated series for the CW Seed streaming channel, the network announced on Sunday. The show will be exec produced by Greg Berlanti, who exec produces all the DC shows on the CW, with David S. Goyer, who developed the NBC live action series, writing. Matt Ryan, who played the title role in the live action series, will voice the role in the animated series.
The live action series had a 13-episode run on NBC and was cancelled, despite drawing an average of 4.5 million viewers. Efforts to find another network on which to air the series were unsuccessful (see “’Constantine’ Rescue Efforts Fail”).